Saturday, December 31, 2005
Thursday, December 29, 2005
The Lights of Christmas
I captured this photograph at the Sandy Utah city hall building this week. The city decorates each of the front lawn trees with small lights every year during the Christmas holiday.
To create the effect, I photographed this with a telephoto lens set wide open' (f/4.5) and got as close to the tree as possible (while still being able to achieve focus on it). Due to the low light, this took a rather long exposure of nearly 1/2 of a second and a tripod was used. If the lens was not set wide open the circles would have taken the shape of octagons (reflecting the shape of the lens aperature).
The result of the background lights blurring into circles and overlapping creates a dramatic effect.
Tuesday, December 27, 2005
My Great-Grandmother's Watch
In the late 1800's, my Great-Grandmother immigrated to the United States from Germany as a nanny for a doctor's family. Here is a capture of the watch she carried as she entered the United States. It no longer works, but it is engraved with the name Bertha. Her full name was Bertha Willamena Karleen Baaske. My Great Aunt Claribelle Legg gave this to me a number of years ago when I was a child.
Monday, December 26, 2005
Sunday, December 25, 2005
Saturday, December 24, 2005
Thursday, December 22, 2005
Wednesday, December 21, 2005
EyePod
I was at Best Buy the other day and overheard the sales guy telling a desperate shopper that they were completely sold out of iPods and wouldn't get any more in stock before Christmas. The customer was visibly upset.
This got me thinking about the growing obsession with the player and it's increasing popularity. I wanted to find a unique way to capture the iPod. Sarah helped me out and here is one of the results.
I created this by first taking a close-up of Sarah's right eye. I then edited the eye (adding the contrast effect) and uploaded it to the iPod. Then I set the iPod to display the EYE on the screen and had Sarah hold it up while I photographed her. The tricky part was adjusting the exposure of Sarah's face to match the brightness of the iPod screen.
Tuesday, December 20, 2005
Saturday, December 17, 2005
Inversion
It has been rather hazy lately in the Salt Lake valley. It is truly amazing what just a short drive up into the mountains can reveal - blue sky and sunshine!
Here is a capture I made just before sunset this past week while overlooking the valley and the haze. Note how the color of the guardrail brings out the rust color of the haze.
Friday, December 16, 2005
Juxtaposition
jux·ta·po·si·tion n - the act or an instance of placing two or more things side by side; also : the state of being so placed.
I love the contrast displayed in this photo between the signpost 'sun' and the daytime moon. I captured this shot up in the Suncrest community on Traverse Ridge above Draper, Utah.
Wednesday, December 14, 2005
Daphlen?
I'm not sure if this is a common practice in other parts of the country, but in Utah it is not unusual to see a message displayed on an overpass by placing disposable drinking cups in the chain link fencing.
Shown here is one such message communicating amorous feelings toward Daphlen. If you know of, or are familiar with, Daphlen - please pass along the message.
Tuesday, December 13, 2005
Depth of Field
Depth of field is an example of something you can control with a simple camera setting that can dramatically change the final photo. Put simply, the less amount of light that is allowed to enter the camera lens, the greater the area of the photograph which will be in focus. This is controlled by adjusting the aperture setting (the ‘f’ numbers). In the example photographs included in this post, you can see that though they are both of the same subject the amount of background area in focus (the right side, down the fence line) changes substantially.
The top photograph (click on it to enlarge) has the camera lens set ‘stopped down’ to f29, or set to allow the least amount of light in. This setting ensures that the foreground and background area will be in focus.
The bottom photograph has the camera lens set ‘wide open’ at f5, or set to allow the most amount of light in. This setting causes the foreground, and more notably the background area to go out of focus.
Many automatic digital cameras have setting which allows the user to manually control the aperture and depth of field. Play around with yours and see what results you can achieve.
For more information on depth of field, do a google search. Here’s a good example.
Sunday, December 11, 2005
Unique Perspective
You never know where a unique and interesting photograph may come from.
Today at church I was standing in the soundbooth with my camera sitting next to the mixing board. It occurred to me that the lens was aimed at the sound board and that this might make a cool shot. I waited for the right moment when Jonathon (the sound tech) was mixing the sound and then discretely reached down and pressed the shutter release.
It wasn't until I got home later in the day that I could actually see what was captured. Here's the result.
Saturday, December 10, 2005
Chronicles of Narnia
The tale of Aslan the lion, an allegory of the story of Jesus Christ, comes across well on the big screen. I think this movie will attract both Christians and non-Christians alike.
To learn more about C.S. Lewis and his Christian faith, check out the book Mere Christianity.
Friday, December 09, 2005
Thursday, December 08, 2005
Beautifully Cold
I had the opportunity to be in downtown Salt Lake City Wednesday afternoon. Captured here are some Utahns braving the cold while ice skating at Gallivan Center.
Wednesday, December 07, 2005
Where'd the color go?
In the old days, we loaded our camera with Plus-X or Tri-X black and white film and went about our business. Now we have several options.
Set Camera to B&W
The photo in this post was shot with my camera set on 'black and white' mode. I don't even have a color capture of this scene. This works well, but limits your ability to have a color version of the same photo. If I was shooting this photo today, I would set the camera to the standard color setting and use software to convert to black and white.
Photoshop
My preferred method is to convert the photo to black and white with an editing program. I use Photoshop, so I will demonstrate how to use this program for converting.
The simplest way is to 'desaturate' the photo by using the hotkeys [CTRL][SHIFT][U]. Simple, yet allows no control.
Another way is to select [Image] [Mode] [Grayscale]. While this works, as with the first method you do not have much control.
The way I achieve my desired result is a bit more complicated, but allows the photographer the greatest amount of creative control over the result. In Photoshop, select [Layer] [New Adjustment Layer] [Channel Mixer] then click okay. Now click [Monochrom] in the lower left and change your RGB settings to Red-0%, Green-0%, Blue-100%. You can tweak these three percentages, but always ensure they add to a total of 100%.
Take some time and play around with black and white. You just might find you enjoy having a little less 'color' in your life.
Tuesday, December 06, 2005
Photos - Now and Then
This shot was taken in San Francisco in September of '04 while I was in the bay area for a series of meetings. This is one of many shots I have recently re-discovered. I am currently in the process of going through my digitally archived shots and uploading the ones I feel are interesting to Flickr!. Maybe I'll eventually get to the box of photos from the eighties out in the shed.
Take a moment and visit my Flickr! photo stream at flickr.com/photos/richlegg.
Let It Snow...
How to Photograph Snow
Using your camera's exposure compensation adjustment can make sure snow comes out as white as possible in your pictures this holiday season.
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I will sing unto Him a new song
Coloring Black and White Photos
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